Hand painted in acrylic and colored pencil, a copy of the famous Chop Suey by Edward Hopper, mounted on wooden stretchers and stained nad painted moulded frame,

In Chop Suey, two women sit at a table, with another couple partially visible in the background. The bright white tables are conspicuously empty, with only the Asian teapot on the near table suggesting any Chinese influence. Art historian Judith A. Barter has explained that this is characteristic of Hopper’s style: ‘There is never anything to eat on Hopper’s tables. Famously uninterested in food, Hopper and his wife often made dinner from canned ingredients. What he found important were the spaces where eating and drinking took place.’

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